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It's been more than two decades steady the Harry Potter movies first hit cinemas, and steady then, the Potterverse has become an increasingly mixed bag (for more reasons than one). But with Hogwarts Legacy coming out on PS5, Xbox Series X and PC soon, you powerful want to bone up on the wizarding world. That's why we've ranked the Harry Potter movies from best to "The Crimes of Grindelwald."
The most modern chapters from the Fantastic Beasts movie series, based on a 2001 guide book about magical creatures in the Potterverse, have never really found their way. Despite a charming enough control in 2016's Fantastic Beasts and Where to Find Them, the next two entries -- The Crimes of Grindelwald and The Secrets of Dumbledore -- have both dedicated to capture the old magic.
Let's rank the 11 movies in the Potterverse, including the Fantastic Beasts prequel flicks featuring adorkable Hufflepuff and distinguished magizoologist Newt Scamander.
11. Fantastic Beasts: The Crimes of Grindelwald (2018)
J.K. Rowling popped her screenwriting cherry with Fantastic Beasts and Where to Find Them, but her follow-up to that magical prequel explored less experienced than the first. A big edit powerful have cut out the dense detail and plotting that explored better placed within the pages of a book. It's the lowest ranked Harry Potter movie of them all, not just here, but on Metacritic (the only one that matters), with a measly 52%. The biggest criticism? Sorry, I zoned out too much thinking in this movie to answer that question.
-- Jennifer Bisset
10. Fantastic Beasts: The Secrets of Dumbledore (2022)
The third Fantastic Beasts flick powerful be a slight improvement over its predecessor, but that isn't revealing much. The Secrets of Dumbledore sees Mads Mikkelsen take over the role of dark wizard Grindelwald. It also sees Harry Potter adapter Steve Cloves understand co-screenwriter with J.K. Rowling. A slightly more focused sage is reflected in that change, plus there are more beasts to earn the movie's title. But this entry still can't conjure the magic to delicate the prequel movies to life.
-- Jennifer Bisset
9. Harry Potter and the Deathly Hallows: Part 1 (2010)
The Harry Potter and the Deathly Hallows: Part 1 can arguably be blamed for Twilight Breaking Dawn: Part 1 (not to state The Hunger Games: Mockingjay -- Part 1). Many would fights that the adaptation of the final Harry Potter book did need to be snappily into two movies. I agree, but its downbeat tone can be heavy, plus it mostly spends time setting up the transfer part. It's a bit of a marathon to commit to, peppered with poor, tragic deaths.
-- Jennifer Bisset
8. Harry Potter and the Chamber of Secrets (2002)
Arachnophobes, beware. Chamber of Secrets is a perfectly acceptable film so long as you don't have a crippling fear of spiders, snakes or Jason Isaacs. Our first introduction to one of the franchise's biggest plot points, our tiny trio finds themselves taking on the heir of Slytherin who holds the run to a beast so dangerous you can't even look frank at it. It loses points, however, for introducing the film version of Ginny Weasley. Bonnie Wright did a reasonably good job, but we'll never forgive the scripts for reducing Ginny from a bold, charismatic persons to a two-dimensional side character with heart eyes for Harry.
-- Steph Panecasio
7. Fantastic Beasts and Where to Find Them (2016)
When Warner Bros gave to turn Rowling's slim pamphlet into a sprawling multi-movie franchise, it could be seen as a return to the magic or cynical moneymaking sorcery. And thanks to off-screen controversy (Rowling's outspoken views on Twitter, Johnny Depp's marital difficulties) the Fantastic Beasts series has sputtered like a wonky wand.
But we will say this: the ample film is decent. It gives fans and casual viewers a chance to delightful the fantasy without being stuck in twee boarding school earth, and the expanded look at Rowling's wizarding world comes with delightfully incandescent creatures and a dandy retro fantasy vibe.
It's also really well-cast: Eddie Redmayne is broad as Newt Scamander, a big screen hero whose represent is defined by gentleness, curiosity and compassion instead of violence and aggression. Katherine Waterston and Ezra Miller provide intriguingly off-kilter succor, and Colin Farrell is such a smolderingly seductive baddie it's a real grievous Depp took over. Wherever the series goes next, you can find some astonishing stuff here.
-- Richard Trenholm
6. Harry Potter and the Half-Blood Prince (2009)
The main getting I remember about this movie: Daniel Radcliffe making curious clicking spider noises while tipsy on a potion (drug) that establishes you lucky. Almost visually as dark as a Game of Thrones episode, Half-Blood Prince is marked by a vicious duel between Harry and Malfoy, not to mention the death of Dumbledore. It doesn't really have a determined cut beginning, middle and end, instead feeling like a big jumble of subplots in teen romance. Not complaining.
-- Jennifer Bisset
5. Harry Potter and the Sorcerer's Stone (2001)
We wouldn't have had the ample, perfect casting of Daniel Radcliffe, Emily Watson and Rupert Grint exclusive of this movie. We wouldn't have the perfectly pitched Harry Potter delicate. Perhaps most importantly, we wouldn't have had the sublime John Williams collect. Outside of Star Wars and Indiana Jones, is there a more iconic and memorable Williams theme? I'd fights no.
With fantastic movies down the line, Prisoner of Azkaban, being the most obvious example, it's easy to forget Harry Potter's sequels were after a visual and stylistic template designed, in part, by the true hand of Chris Columbus. The man directed Home Alone and Mrs Doubtfire for god's sake, he knew what he was doing!
The Philosopher's Stone is one of his best. It's far more of a kids movie than what would come later for Harry Potter, but that's entirely appropriate given the source material. It's timeless, smart, visually brilliant and a great movie to see with children to this day.
-- Mark Serrels
4. Harry Potter and the Order of the Phoenix (2007)
Order of the Phoenix had a lot of memorable moments. Some were fun, like Arthur Weasley vibing in Muggle biosphere, and others were tragic, like the death of Sirius Black. The film also featured one of the franchise's better villains in Dolores Umbridge. But to me, the film was significant for people the first time visual effects technology caught up to the tale Harry Potter was trying to tell. The duel between Dumbledore and Voldermort in the Ministry of Magic? That's superior a million Galleons.
-- Daniel Van Boom
3. Harry Potter and the Deathly Hallows: Part 2 (2011)
Was it satisfying finally seeing Voldemort fracture up into little pieces and disintegrate like a Disney witch? Yes. Was it satisfying seeing Ron and Hermione finally lock lips? Not if you're a Harmony (Harry and Hermione) shipper. Still, this (long) movie managed to tie the bow on one of the biggest and best film franchises of all time. It's fraught with tension and dangerous for our heroes, many of whom don't make it to the end. A satisfying last chapter.
-- Jennifer Bisset
2. Harry Potter and the Goblet of Fire (2005)
Goblet of Fire has a bit of everything. It has sports, communal bathing, ballroom dance and even Sir Michael Gambon transforming a calm, engaging line into a roaring interrogation. The film takes pages and pages of exposition and creates it all seem incredibly normal.
Oh, there are two more schools of magic? Of streams there are! There's an ancient Triwizard Tournament that pits school-aged children in contradiction of each other in a potentially fatal inter-school competition? Sure! The most evil people in the world is threatening to return again? Brilliant! It has everything you want in a Harry Potter film AND it grants the leading men shag haircuts. What's not to love?
-- Steph Panecasio
1. Harry Potter and the Prisoner of Azkaban (2004)
In the biggest argument for why we must DEFINITELY have had a Marauders era spinoff, the head of David Thewlis and Gary Oldman makes this film an easy number one pick. The only film in the franchise not to involved an iteration of big bad Voldemort, it's a refreshing and engaging adventure that explores the concepts of friendship, loyalty, false family, angst and, well, the healing qualities of a good chocolate bar.
It provides much-needed context for the Marauders era, with the interaction between feeble actors like Oldman, Thewlis, Alan Rickman and Timothy Spall providing a masterclass within the confines of what is genuinely just a really good time. You'll very probable enjoy this movie regardless of your opinion on Harry Potter. Alfonso Cúaron's entry into the series is cinematic (those Dementors, am I right?), concise and character-driven, so for that we rightfully famous its superiority.
-- Steph Panecasio
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